
Frans Krajcberg
Kracjeberg is actually a German who has lived in Brasil for many many
years and speaks fluent Portuguese with a German accent. He lives in a
tree house of sorts, and creates all his work from organic objects
found throughout the Brasilian landscape (most of it, I believe, from
the rainforest). His ability to fuse these pieces together so that
they form a new, _____ shape is amazing, and I was greatly inspired by
his respect for and awe of nature. His work is inspired by and created
with the natural world, and he isn?t afraid of getting his hands dirty
(literally) A welcome change from our present obsession with the
sleek and sterile. -Esther

Laura Lima
Laura Lima is a Brasilian artist whose work deals primarily with the
body. We saw this piece at the Cultural Center of Brasil in Brasilia,
and it is entitled ?Gala Chickens?. I was quite amused by the fact
that Lima chose to use chickens to comment on pomp. As creatures, they
are pretty dumb, but one would never know it by the sense of
self-importance they hold. Another piece we saw, at Inhotim, was a
collection of costumes made from a transparent blue vinyl. I loved the
piece, especially because the costumes were not made to be solely
observed, but to actually wear. We each picked out a piece of clothing
and an assistant put it on us, and for a few minutes we were a part of
the art. -Esther

Maria Martins
This sculpture, which was in the Ministry of Exterior Relations
building in Brasilia, is entitled The Woman and Her Shadow and is a
piece by Maria Martins. Martins was a surrealist sculptor from Brasil,
and it is said had an intense love relationship with Marcel Duchamp.
Her work deals with desire and solitude, which can be seen in
contorted shadow of this sculpture, and I was immediately drawn to the
contrast between the figure of the woman and the fearful shadow
trailing behind her. -Esther

Almeida Junior
Almeida Junior is a 19th century Brasilian artist whose large oil
paintings sought to depict the true Brasilian: farmers, peasants,
women washing clothes, and ordinary townspeople. His style, although
very representational and academic, is quite textured, and the concept
behind his work seems almost a precursor to the Brasilian Modernist
search for the real Brasil. We saw a number of his pieces at the
Pinacoteca art museum, and I felt that his use of color and texture
really brought his subjects to life. -Esther

Portinari
This picture is a tile piece by Candido Portinari. The setting is
Pampulha in Belo Horizante. Pampulha was an early project by Oscar
Niemeyer that we visited towards the end of our trip. It consisted of
several buildings around a man made lagoon inlcuding a dance hall,
museum of modern art, and this the Church of São Francisco. The church
was never officially ordained by the Pope becasue of its unorthodx
building style as well as the controversial nature of some of these
images by Portinari. The style of the images like much of his tile
work is that of the older traditional Portuguese tile. The work of
Roberto Burle Marx can alos be seen in this photograph in th form of
the renovated garder mirroring Niemeyers curve and Portinari's mural. -Derick

Rivane Neushanwander
I knew I liked the work by Neushandwander before I came to Fortes
Vilaça Art Gallery in Sao Paulo but I think these two were my favorite
pieces I have seen by her before. The first one was the cloth signs
hung like a market place. The second was the post cards behind it
along the wall. The post cards were each pictures of places in Brazil
that contained names of other places. I ended up taking a handful of
them a mailing them off to my friends and family trying to explain how
these post cards were a part of a contemporary art show. -Derick

Hélio Oiticica
I had seen pictures of this piece before in one of Cyricao's classes
on Latin American art. He also told us that the piece was not shown
for a long time becase of the controversial use of cocaine in the
slide projections. We were wondering around Inhotim trying to squeeze
in everything we could before the place closed and we stumbled upon
this exhibition with exactly as it is seen here. All of us chose to
relax in the hammocks and stare and the slides while the guards
graciously waited until we were done to close up the building. This
was one of my favorite pieces I saw at Inhotim. Oiticica had the
images of Jimi Hendrix with overlayed with cocaine cylce around the
room while participants were invited to lounge and watch the show.
This was totally captivating and the perfect way to end the day at
Inhotim. -Derick

Adriana Varejão
This is a piece by Varejao that we were able to see in the Fortes
Vilaça Art Gallery in Sao Paulo. It was a small version of a larger
tile piece that has been displayed around the world. This piece
depicts hallucinagenic plant species native to Brazil. Much of her
work is done in the style of Portuguese tiles. -Derick

Ernesto Neto
This was one of the very first pieces we saw while at Inhotim outside
of Belo Horizante. This photo gives a glimpse into the style that Neto
works in. I have found that thses pieces by Neto are very inspiring in
terms of architecture and ways in which a space is used. Unforunately
opposed Neto's ideals we wern't allowed to enter this specific piece.
But, seeing it from the outside was still just as breath taking. The
sensual curves remind me of buildings by Oscar Niemeyer. There were
scents emenating from the weighted fabric giving space an organic and
living quality. -Derick |